
Fig. 11.Saint John, 1892. Pastel, over charcoal, on tan wove paper; 42.5 x 29 cm. Private collection, courtesy of Marc de Montebello, New York.In Saint John, a pastel of 1892 (Figure 11), the manner in which Redon used pastel to create a chromatic composition similarly relied upon the underlying noir to sustain a cohesive composition, although ultimately the noir was almost completely covered beneath layers of pastel.
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